Gu Erniang - Unionpedia

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Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s. The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage. Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, to use Ko's words, expertly promoted her own brand. Yet, while Gu's artistry and her brand became famous, the details of her life remain hidden. A native of Suzhou, Gu Erniang's maiden name was recorded as Zao, and she was known to have been active during the Qing dynasty, probably during the Kangxi period. Married into a distinguished family of ink stone carvers, she became a carver of ink stones herself, probably after the death of her husband. Gu Erniang is widely considered to be one of the finest known Qing period inkstone carvers.

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She was the daughter-in-law of the famed inkstone artist Gu Shengzhi and married to her colleague Gu Qiming . Artist: Attributed to Gu Erniang (Chinese, active early 18th century) Period: Qing dynasty (1644–1911) Date: 18th century. Culture: China. Medium: Limestone. Dimensions: L. 5 1/16 in. (12.9 cm); W. 3 3/4 in.

A native of the Zhuanzhu xiang area of Wumen, modern-day Suzhou in Jiangsu province, Gu married into a family of inkstone carvers, although she was certainly its most famous member. Gu Erniang was one of the first inkstone makers in China to attach her signature mark on her work, suggesting a heightened respect that exceptional artisans like her enjoyed. Today, because the inkstone is no longer a functional object, all inkstone artisans have to present themselves as creative artists.

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Artist: Attributed to Gu Erniang (Chinese, active early 18th century); Period: Qing dynasty (1644-1911); Date: 18th - XAJC7R from Alamy's library of millions of high resolution stock photos, illustrations and vectors. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s. The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

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du . Shang Geng Ding · Gravar med båtformade kistor · Användare:Grillo/Lhasa · Gu Erniang · Guang'anmen · Guangzhous tunnelbana · Guanzhong · Gui Minhai  Manhao Guesthouse Suzhou Gusu Shi'erniang Fengqingyuan Mudu. Visa priser.

217 2017-03-07 Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get them in front of Issuu’s Next we join Ko in the commercial inkstone-carving workshops in Suzhou for a careful study of one of the central figures in the book and one who will be with us for the remainder of the story, Gu Erniang (fl. 1700-1722), one of the most accomplished inkstone makers of her day.
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… kangxi period (1662-1722), inkstone signed gu erniang The base and the shallow rounded sides are carved on the exterior in imitation of basket weave. The top of the oval ink stone is carved with a gently recessed grinding surface enclosed by a finely carved border in imitation of basket weave interrupted by a six-character signature in sunken relief, Wumen Gu Erniang zhi , ‘made by Gu Signed Gu Erniang The even beige-coloured stone intricately carved in low relief with a pair of mandarin ducks amidst foliage, a six-character zhuanshu inscription carved within a rectangular panel on the left side, the underside carved with a sprig of lingzhi fungus, hardwood box and cover.12.8cm long.
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Gu Erniang (顾二娘; Gùèrniáng), född okänt år, död okänt år, var en kinesisk bläckstenskonstnär. Hennes levnadsår är okända, men hon var verksam under i varje fall andra hälften av Kangxi-kejsarens regeringstid (r. 1661-1722). This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone Gu Erniang was a remarkable woman who thrived in a field dominated by men; she became more famous than her male colleagues. Her name was associated with technical and artistic innovations as well as refined taste.

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1700-1725) of Suzhou, who was more famous than her male kin and colleagues as an innovative inkstone-carver. Prof. Ko argued that Gu’s career and fame was enhanced by the professionalization of handicraft trades and the affinities between inkstone-making and epigraphy in the early Qing, and she concluded Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, to use Ko's words, expertly promoted her own brand.

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